On Monday night in Paris, Post Malone stepped into an entirely new spotlight. The Grammy-nominated musician, beloved for his genre-blending sound and signature laid-back swagger, unveiled his first full-scale fashion line: Austin Post. But this wasn’t some after-concert merch drop; it was a full-send runway debut staged inside the storied halls of Karl Lagerfeld’s former mansion, complete with Bud Light flowing, fashion insiders in attendance, and yes, even a horse trotting down the catwalk.
Why is this relevant to H&B readers, you ask? Because the collection draws heavily on cowboy culture: denim, boots, fringe, turquoise, leather jackets. For us outdoorsmen, these aren’t just style tropes; they’re rooted in the functional gear of ranch life, hunting camps, and Western tradition. Seeing them elevated on the Paris runway validates the outdoorsman’s lifestyle as culturally relevant, not just practical. Furthermore, Malone's recent foray into country music and his landmark album F-1 Trillion featuring collabs with legends like Hank Williams Jr., Dolly Parton, and more modern mega-stars Morgan Wallen, Blake Shelton, Lainey Wilson, Jelly Roll, HARDY and others.
So, what gives the editor of an outdoors lifestyle magazine any credibility to even report on this cultural moment for fashion? Let’s be honest, the editors of GQ, Vogue, Bazaar, and other publications are far more qualified, but if there is anyone in the outdoor industry who should weigh in, it’s me.
Believe it or not, in a prior life, I was an executive at Neiman Marcus in the men’s designer buying office. Before that, I was the lead salesman at one of the nation’s top men’s boutiques, MODA Pittsburgh, where I was trained by the talented Michael Barone and attended Fashion Week multiple times.
Here’s my take: The vibe was unmistakably Post Malone: playful yet self-assured, rooted in Americana but polished enough for Paris.
The collection leaned heavily on Western staples: fringe suede jackets, turquoise bolo ties, embroidered denim, Lucchese boots and styled with a confidence that made them feel less like costumes and more like statements of modern luxury.
The Editorial Moments
From a storytelling standpoint, the show delivered plenty of drama. The fringe-heavy jackets swinging under the chandeliers, the oversized belt buckles, and the staged horse finale all provided the kind of viral moments fashion weeks are built on. These pieces may never flood store shelves, but they don’t need to. Their job was to build the narrative: Austin Post is more than clothing — it’s an experience, a vibe, and a brand identity Post Malone is betting will resonate as deeply as his music.
That is all fine and well, but as some have pointed out, typically the core country audience is more everyday, down‑to‑earth, and practical in terms of fashion. I’m curious to see the price tags on the ready-to-wear items, but that truly doesn’t matter when it comes to creative fashion. It's more art than practical, so even though some may speculate that it will be “over-priced western wear,” they're missing the point. Even with that in mind, much of the line showcased casual looks perfect for Broadway in Nashville or social events in Fort Worth for those who can afford them.
The Wearable Pieces
Denim ruled the night. Think straight-cut, stone-washed blues with a lived-in ease, stitched with subtle star motifs. Some looks paired denim jackets with matching jeans, delivering the kind of tonal uniform beloved by both ranch hands and fashionistas.
Additionally, the collection’s suede trucker jackets, and tailored leather pieces felt instantly wearable. Paired-down Western accents stitching details, boot cuts modernized for city streets, understated branding on tees and shirts hinted at a commercial strategy built for longevity. By blending iconic cowboy staples with an accessible, fashion-forward edge, Austin Post positioned itself as more than a flash-in-the-pan celebrity project.
Malone himself closed the show in a light-wash denim set, a western hat tipped low and detailed with turkey feathers.
The Setting and Signal
Choosing Paris as the launch pad was no accident. Post Malone could have easily debuted in New York or Los Angeles, but unveiling Austin Post in Europe’s fashion capital reframed Western style as couture-worthy. It sent a clear message: what was once considered niche Americana is now global, aspirational, and ready to claim a spot in high fashion’s evolving landscape.
Final Thoughts
For Hook & Barrel, the takeaway is clear. Austin Post isn’t just a clothing line, it was a narrative: a cowboy gone global, a Texas spirit striding confidently into haute couture. Every fringe swing, every embroidered stitch seemed choreographed to prove that Western heritage has legs in modern luxury. From Texas to the Champs-Élysées, the outdoorsman’s ethos has become aspirational, stylish, and culturally relevant. Post Malone may have brought the Bud Light, but Paris brought the legitimacy.
Related Articles
